![fate go alter ego fate go alter ego](https://cdn.shopify.com/s/files/1/0057/0844/7844/products/4560393842299_15_1024x1024.jpg)
At this stage the prototype sounded more like a horse whisper then a growl. The Formant Singer 2 version was brought in, though it was later also included in Chipspeech, at this point the new engine version was not known to the general public.Īt 50% it was noted that they hoped to have everything working for October in time for Halloween. They had some concept ideas they liked as well at this stage. D Smolken did not want to post anything yet as they felt first impressions are important.Īt 30% Plogue themselves made adjustments to the perimeters of Alter/Ego to work better with growl vocals. At 17% it was noted that at 100% they would need to make corrections to the vocal. On May 2nd when D Smolken was talking about this on talkbass, the results were then at 10% completion. The early results sounded quite like the vocalist and those working on Alter/Ego itself were satisfied with the results. At this point there was no way of knowing how Alter/Ego would handle a Death Metal vocal. The first working prototype existed with only 3% of the needed data. Marie was first made known in March 2016 by D Smolken when they asked about adjustments on a heavy metal female vocal. They learnt things such as the human vocals inability to growl certain sounds, leding to some sounds such as a "fffffff" having to have two versions to see which was more effective. The development was also considered a lesson on linguistics as they had to learn many new things about vocal sounds such as different types of consonants. Tora Ouji was the one responsible for turning the raw vocals into an Alter/Ego voicebank initially.
![fate go alter ego fate go alter ego](https://dhdzy64m58a2i.cloudfront.net/otakusquare-com/product-thumbnails/ALT20617/7.jpg)
He noted it took three or four sessions, including re-recordings of unsatisfactory results, to achieve the final recordings.
![fate go alter ego fate go alter ego](https://anime-figure.com/static/images/full/5c322f4cb73a7ef6531a6fce2652eaa429680b8f.jpg)
The kit given was a small section of the source data for Daisy. Smolken approached a member of Daisy's production team and asked about the process of making a vocal and work began in October 2015. Due to previous collaborations, Smolken's offer was accepted by Plogue. Naturally, Plogue recieved many requests for vocal production. Later that autumn Plogue released Alter/Ego, which was focused on modern vocal synthesizer technology.
#Fate go alter ego software
The first recordings were of basic midi samples and were later made available for download.Īnother collection of recordings were made for UTAU, but due to the Japanese locale setting having to be activated, the software was never downloaded and this version abandoned.Īt the same time the UTAU vocal was being considered, Chipspeech was released by Plogue. Following this, they entered production and she was in production for quite some time. Lacking experience, they decided to focus on this genre of music as it seemed easier to produce.īefore production started, research was made on existing vocal synthesizers to find the most suitable program for the vocal. He also knew that Death Metal was a niche genre of music and was rarely explored by vocal synthesizers.
![fate go alter ego fate go alter ego](https://anime-figure.com/static/images/full/8a7fcb62e807df58d81b6e0a17f9403bfcada6cf.jpg)
DSmolken happen to know a female death metal vocalist that they had worked with in the past.
#Fate go alter ego free
Though there were plenty of free instruments and the like for constructing metal songs the vocalist was considered the final frontier. DSmolken, using the alias pklima, discussed at Talkbass about making a metal female vocalist.